I’m still mourning the death of Adar, our All Father, maybe the most beautiful character in Rings of Power so far.
When we first meet Adar, we are introduced not to a dark lord or powerful general. We are introduced to a grieving father who loves his children. When we lose Adar, we lose not a dark lord or general. We lose a grieving father who would have risked everything to protect his children – even sacrifice them to escape enslavement.
Before Rings of Power, I never thought I would cry at the loss of an Uruk or even consider the tragic nature of the Uruk race. Even now, after watching the first two seasons of Rings of Power it is hard for me to think of Adar and the Uruks as villains. Yes, they did terrible things to the Southlanders and attacking Eregion wasn’t great, but they were not the actions of villains. They were the actions of a desperate father and his children who wanted to find a safe home. One of the greatest tragedies of season 2 (and maybe all of Middle-Earth in the Rings of Power universe) is that the Elves would never seriously work alongside Adar in destroying Sauron. For most Elves, Adar and the Uruks were synonymous with Sauron and Morgoth and Adar knew better than to expect any kindness from them (despite reaching to Arondir, Galadriel, and Elrond during both seasons).
Joseph Mawle, the actor who played Adar in season one, must receive the most credit for creating the Adar we know and love. Mawle created the mystique, the internal pain, the despairing love for his children, the hopeless desire for peace, and the unwanted, but familiar ruthlessness to achieve his goals. When we first meet Adar, we learn first about his love for his children, his bittersweet memories of his Elven life, and his unstoppable commitment to provide his children with a home. His conversation with Arondir is soft and sad and mesmerizing, intriguing us all with this strange introduction of one of the first Uruks. He is not the mindless, cruel animal we are used to. This father of the Uruks knows love, knows sacrifice, and knows how to yearn for peace.
His children trust him unquestionably because he gives them a vision and the hope for a future where they can live and exist without fear or pain. He tells them they are loved and deserve life as much as any other race. They are not animals destined for extermination. They are people and they will claim a homeland for themselves, damn all who dare stand in their way.
Mawle’s Adar gives his Uruks a dignity that was missing from any of the previous LOTR related adaptions and is one of the reasons he became a fan favorite. One of Tolkien’s core tenets in LOTRs is the power of mercy and pity and giving people the choice to do the right thing, even when previously they’ve only caused harm and pain. We want Adar and his children to find a home. We want Adar and his children to escape Sauron’s clutches. But we also don’t want the Southlanders to lose their home.
The battle between the Southlanders and the Uruks is supposed to serve as proof that Adar is still a servant of Morgoth. He does not plan to share this land with anyone. He does not approve the Southlanders with any sort of deal or compromise. He invites and he kills and he decimates the land so only Uruks can call it home. Many of our heroes are caught in his rampage and are endangered or wounded by his actions. Yet, is the destruction of the Southlands the act of a villain or it is more of a Magneto-esque act of liberation based on the knowledge that no one would ever willingly accept Adar and his children? Adar does not attempt the peaceful methods because no one ever used peaceful methods with Uruks. It is a lost cause because of the prejudices and racism of Middle-Earth. Why should he care for those who would kill his children as first sight? Mawle’s Adar is not interested in justifying his actions. Instead, he turns the mirror on the heroes of our story and reveals they are just as violent and bloodthirsty as Morgoth, especially our main heroine Galadriel. Is she someone he can find a compromise with? Is Waldreg, who really wants to serve Sauron, Adar’s prime enemy? The Elven commanders of the Watch?
No, there is no one willing to treat with Uruks and so the Uruks will do what they do best and claim the land that has been overrun by their enemies.
Mawle’s Adar suffered under Morgoth and it is a pain he cares for the rest of his life. Unlike most characters who have undergone extreme torture, the pain is represented by a scar or “flashbacks”, but Mawle’s Adar walks as if his entire body is in pain all the time. His movements are stiff and calculated, as if every movement sets his nerves on fire. He bears himself with the angry pride of someone who has never been welcomed anywhere, but he is worth as much respect as the High King in Lindon damn it!
Finally Mawle’s Adar is queer because he subverts many expectations one would have from a male character, whether he be a hero or a villain. He is soft spoken, gentle with his prisoners, loving with his children, and cries when they die. His acceptance of his Urukness when all others think it’s wrong. His demand for a place for his children when all others think they are disgusting animals. His refusal to accept definitions placed upon him and his children by others. His celebration in what others deem to be macabre or disgusting. He also has chemistry with every character he interacts with (no matter their gender)
In season 2, Adar is played by Sam Hazeldine who does a fantastic job add layers of complication to Adar’s character while still referencing the core components defined by Mawle. The first episode of season two starts with Sauron (played by Jack Lowden) selling himself as Morgoth’s successor to a gathering of Uruks. Adar is there and it’s clear Sauron thinks Adar is on his side. However, Adar betrays Sauron and he and his children “kill” Sauron. In this episode, we see the same pain, the same weariness, and the same love for his children that Mawle portrayed, but we also see Hazeldine’s addition of deep-seated rage for Sauron, rage over his own fate now that Morgoth is gone.
When we see Adar in the present, he is sitting on his throne, with his big sword, surrounded by Uruks, and he is powerful. His presence has changed from the almost elemental spirit like quality Mawle personified to a stronger, more present, more dangerous presence. It’s almost as if now that he has achieved his goal of a homeland, he is on edge, waiting for it to be taken away. This Adar is still in constant pain, still queer as hell, but more determined and leans into his old role as a ruthless general/warrior.
When he finds out Sauron is alive, we see Adar response to a severe trauma trigger that clouds all thoughts of peace and compassion. Similar to Galadriel’s reaction to Sauron in the finale, Adar cannot live in a world where Sauron still exists. He is not safe. He has too much anger to ignore. He has scores to settle. He has children to protect. He cannot wait in Mordor for Sauron to play everyone else for fools. He knows Sauron will come for him and his children. It is better to hit him now when he is weakest. And so he gathers his children and his marches to war once more – despite the misgivings and doubts of a handful of Uruks.
Once Adar discovers Sauron has made Eregion his home, Adar writes off the entire city and its people. Similar to the fate of the Southlanders, Adar doesn’t care what happens to those who stand between him and his goal. He will destroy the tormenter of his children, even if he has to destroy the most beautiful city of all Elvendom. When he reunites with Galadriel, we see that Adar can be as manipulative and cruel as Sauron. He plays her like a fiddle to get all the information he needs and then he uses her to trap Elrond into his own morality conundrum. While he is still gentle and charming when dealing with both Galadriel and Elrond (flirting with both of them the entire time. Seriously, he calls Elrond beautiful and stares at Galadriel with heart eyes as she threatens him as knife point), they are just tools to use against his real enemy Sauron. His drive to destroy Sauron taints even his love for his children. He sends them wave after wave against Eregion’s defenses, watching them die in the hundreds and sends in Damrod, a troll who kills just anyone and anything in his way – Uruk and Elf alike.
In one of the most heartbreaking moments in the show, after a particularly costly charge, Glug, one of his children, says “Father, you said you love us.”
Adar turns and replies, “With all that is left of my heart. Too much to let you be slaves to Sauron.”
In his moment of fear and trauma and pain, he can only see the extremes: either his children are enslaved by Sauron or they die but are at least free from Sauron’s control. He cries as he says goodbye to the dead and dying Uruk, forced to face the terrible price they must pay to be safe. Galadriel sees his tears and, maybe, in that moment she understands who her true enemy is: Sauron, not the victims of Sauron and Morgoth’s cruelty.
Sam’s Adar is the battered spouse who desperately tried to escape their abusive partner and instead learns that the world doesn’t care about the plight of the abused. The world will cast you back to your abuser because “that’s where you belong.”
In the finale, Adar, wearing Neya, Galadriel’s ring, reverts to the man he was before Morgoth. An Elf with a “meaningless name. A name given to him” Adar is the name he earned and one he wants to keep. Nenya, whose power in the show is to heal and provide visions, gives Adar the first true hint of hope he has had since before Morgoth. He realizes his rage and his trauma turned him into Sauron’s puppet, as Sauron intended, and he realizes he’s lost the trust of his children, but even in the midst of all that darkness there is still hope. Nenya represents hope. Galadriel, who tells Adar that if he helps her defeat Sauron, there will be a place for his children, represents hope. Even though she admits she has killed more of his children than any Elf alive, he forgives her.
“I forgive you. No more flames. No more darkness.” He tells her as he hands her the ring, “Let us heal Middle-earth and create a lasting peace between the Elves and the Uruks.”
After handing her the ring, he reverts to his true form, Adar the Father of the Uruks.
A wounded Glug is brought to him and he bends down, begging his son for forgiveness. Glug tells it’s too late and Adar replies, “It’s never too late. Not even for me. And not for you, my son.”
And Glug stabs him, followed by several other Uruks. Sauron appears and watches with smug satisfaction as Adar is killed by his own beloved children. Even in death, Adar is only considered about his children, calling out to them in Black Speech, but it’s not enough. He may have found peace within himself and with Galadriel, but he couldn’t undo his betrayal of his own children.
In anger and trauma of his own, Glug saw his father as an enemy, as the wolf in sheep’s clothing, as someone who claimed to be different but was just as ruthless and terrible as Morgoth. In Sauron, he found someone who was kind and made grand promises and was the original creators of the Uruks. And so, Glug took his chance and doomed his entire race to enslavement.
Adar and the dream of a free Uruk race may have died in the finale, but Adar lives on in our hearts and as an inspiration for everyone struggling with their own darkness, their own strangeness, and a society that does not want them or respect them. I hope he also continues to live on in the hearts of the Uruk. They may, by and large be enslaved by Sauron, but I hope we see just how tenuous Sauron’s hold truly is. I hope we see small Uruk rebellions and whispered stories of Adar and Glug and their dreams of peace. I believe in the book, the Uruks complain about their lot and hate the fact that they have to answer to the Nine Wraith as well as Sauron. Maybe Sauron needed the Nine to keep order amongst the ranks of a disgruntled mass of Uruks who stubbornly preserve the memory and hope of a better world – someday. And maybe that is just one more dream Sauron tries to twist and corrupt to suit his own purposes, which is why the Uruks never truly break away from him. But I hope we see that internal struggle through the remaining seasons. And I hope, we as a fandom, can imagine a Middle-Earth after Sauron’s fall, where Aragorn, Eomer, and their descendants learn from the mistakes of the past and finally see the Uruks as Morgoth’s and Sauron’s victims and Adar’s children can finally know peace.
Thank you Joseph Mawle, Same Hazeldine, JD Payne, and Patrick McKay for brings such a beautiful and inspiring character to life.
